Sam Perry: Folds
July 13 – September 7, 2024
Marci Washington: A Spell to Break the Spell
July 13 – September 7, 2024
Unknown Future
May 11 – June 29
When We Move: A View of Technology Through a Black Lens | Rodney Ewing & Nyame Brown
May 11 – June 29, 2024
Invocations
February 17 – April 20, 2024
John Bankston: 20 Years in the Rainbow Forest
February 17 – April 20, 2024
Hidden Stories
December 2, 2023 – February 10, 2024
Diane Andrews Hall: reverberations
December 2, 2023 – February 10, 2024
Hung Liu: Capp Street Project, 1988
September 20 – November 18, 2023
Henry Wessel: On the Shore
July 8 – September 9, 2023
Nobuyuki Takahashi: Lyrics of Sea Horizon
July 8 – September 9, 2023
Vik Muniz: Fotocubismo
May 6 – June 30, 2023
Amalia Mesa-Bains | Emblems of the Decade: Borders
March 4 – April 29, 2023
Rupert Garcia: Architectonics
March 4 – April 29, 2023
African Aesthetics = Ashé [from the private collection of an artist]
December 17, 2022 – February 18, 2023
Tony DeLap
December 17, 2022 – February 18, 2023
Do Not Fold, Spindle, or Mutilate
October 1 – December 3, 2022
Rodney Ewing: The Devil Finds Work
July 9 – September 10, 2022
Robert Minervini: L’Attesa
July 9 – September 10, 2022
Sam Perry: Intertwined
April 23 – July 2, 2022
Derek Weisberg: Fake Flowers
April 23 – July 2, 2022
Jonathan Calm ‘Hands on the Wheel: African American (Auto)mobility in Space, Time and Mind’
February 19 – April 16, 2022
Bovey Lee: Bathing in the Forest of House Plants
December 4, 2021 – February 12, 2022
Sydney Cain: Dust to Dust
December 4, 2021 – February 12, 2022
Oliver Lee Jackson: Vibrato
October 2 – November 27, 2021
Just one word…Plastics
July 24 – September 11, 2021
Diane Andrews Hall: Unforeseen
July 24 – September 11, 2021
When Nobody’s Watching
May 22 – July 10, 2021
Door into the Dark
March 6 – April 23, 2021
Phoebe Beasley: MIGRATIONS in Our Mind’s Eye
March 6 – May 15, 2021
